Top 8 best turner painting: Which is the best one in 2019?
When you want to find turner painting, you may need to consider between many choices. Finding the best turner painting is not an easy task. In this post, we create a very short list about top 8 the best turner painting for you. You can check detail product features, product specifications and also our voting for each product. Let’s start with following top 8 turner painting:
When you want to find turner painting, you may need to consider between many choices. Finding the best turner painting is not an easy task. In this post, we create a very short list about top 8 the best turner painting for you. You can check detail product features, product specifications and also our voting for each product. Let’s start with following top 8 turner painting:
Best turner painting
1. J. M. W. Turner: Painting Set Free
Feature
J Paul Getty MuseumDescription
When the prolific British painter Joseph Mallord William Turner (17751851) died at the age of 76, his contemporaries held a generally negative view of his recent work, describing it as indulgent, eccentric, and even repulsive. But over the past century, a number of curators and critics have reassessed Turners late paintings. Instead of finding his employment of shimmering color to evoke light unpleasant or unskilled, they have seen it as a precursor to the Impressionists and consider his use of abstraction to be distinctly modern.
In this elegantly conceived volume, leading experts on Turner consider these contrasting views of the artist in a groundbreaking exploration of his paintings. They examine his notes and sketchbooks to determine whether his health may have impacted his art and how Victorian views of old age influenced perceptions of the elderly artist. They also question the notion that Turners late work articulated a conclusive, radical vision heedless of public reaction, for evidence makes clear that he had a firm idea of the art market in his day.
Fully illustrated in color, this book is published on the occasion of an exhibition on view at the Tate Britain, London, from September 15, 2014, through January 18, 2015; at the J. Paul Getty Museum from February 24 through May 24, 2015; and at the de Young Museum in San Francisco from June 20 through September 20, 2015.
In this elegantly conceived volume, leading experts on Turner consider these contrasting views of the artist in a groundbreaking exploration of his paintings. They examine his notes and sketchbooks to determine whether his health may have impacted his art and how Victorian views of old age influenced perceptions of the elderly artist. They also question the notion that Turners late work articulated a conclusive, radical vision heedless of public reaction, for evidence makes clear that he had a firm idea of the art market in his day.
Fully illustrated in color, this book is published on the occasion of an exhibition on view at the Tate Britain, London, from September 15, 2014, through January 18, 2015; at the J. Paul Getty Museum from February 24 through May 24, 2015; and at the de Young Museum in San Francisco from June 20 through September 20, 2015.
2. Turner (Basic Art Series 2.0)
Feature
TASCHENDescription
Then there was light:Turner's irridescent tableaux
In the work ofJoseph Mallord William Turner (1775-1851)lies an impact akin to a sudden acquisition of sight. His landscapes and seascapes scorch the eye with suchravishing light and color, with such elemental force, it is as if the sun itself were gleaming out of the frame.
Appropriately known as the painter of light, Turner worked in print, watercolor, and oils totransform landscape from serene contemplative scenes to pictures pulsating with life. He anchored his life and work to the river Thames and to the sea, but in the historical context of the Industrial Revolution, also integrated boats, trains, and other markers of human activity, so as to juxtapose the thrust of civilisation against the forces of nature.
This book covers Turner's illustrious, wide-ranging repertoire to introduce an artist who combined a traditional genre with a radical modernism.
Appropriately known as the painter of light, Turner worked in print, watercolor, and oils totransform landscape from serene contemplative scenes to pictures pulsating with life. He anchored his life and work to the river Thames and to the sea, but in the historical context of the Industrial Revolution, also integrated boats, trains, and other markers of human activity, so as to juxtapose the thrust of civilisation against the forces of nature.
This book covers Turner's illustrious, wide-ranging repertoire to introduce an artist who combined a traditional genre with a radical modernism.
About the Series:
Each book in TASCHENs Basic Art series features:
Each book in TASCHENs Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions
3. Perfect Effect Canvas ,the Vivid Art Decorative Canvas Prints Of Oil Painting 'Joseph Mallord William Turner - Fishermen At Sea,1796', 18x24 Inch / 46x62 Cm Is Best For Home Theater Gallery Art And Home Decor And Gifts
Feature
This is a canvas print, named Joseph Mallord William Turner - Fishermen at Sea,1796.The canvas print is Not Stretched.
The size is 18x24 inch / 46x62 cm. Your customized sizes are acceptable, please send me emails.
The canvas print is made of Perfect effect Canvas, and it will be Hard Paper Tube Packaging.
Every artwork is printed on artist-grade canvas with vivid colors and exceptional depth That is Color your life,color your dream!
Description
Best Price Canvas Prints Without Frame ,Joseph Mallord William Turner - Fishermen at Sea,1796, is for Home Decoration, or Wall Art Decoration, Home Decor. There are fiber canvas, cotton canvas, or linen canvas. And it is also the best gift for your relatives, or girl friend and boy friend.4. Turner
Description
The innocence of the eye
As a blind person would see the world if the gift of sight suddenly returned - so might one describe the effect of Turners paintings on the observer. John Ruskin, the uncompromising nineteenth-century defender of the painting of William Turner (1775-1851) spoke of the innocence of the eye, which perceived the colours and forms of the world before it recognized their significance.
But in order to develop such a style, Turner first had to overcome the entire legacy of late rococo academic teachings. He was simultaneously a romantic and a realist - and yet he was neither. His landscapes, far in advance of their time, have been called forerunners of Impressionism, but they also possess traits that influenced Expressionism, and many of his late compositions are thoroughly surrealistic.
In reality, Turners art cannot be comprehended by such classifications: its essence remains a riddle to art history even today. For his work arises from a unique relation to the nature that it depicts: through his brilliant sketches, he found his way already in the 19th century to a rigorously open kind of painting in which nature sets free the use of colour. And through the workings of the natural elements - especially atmospheric light - Turner confronted nature at the point where nature itself is an image.
This book provides the understandings necessary to open up Turners paintings for the eye, demonstrating that Turner was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itself - through a world of light and colour.
But in order to develop such a style, Turner first had to overcome the entire legacy of late rococo academic teachings. He was simultaneously a romantic and a realist - and yet he was neither. His landscapes, far in advance of their time, have been called forerunners of Impressionism, but they also possess traits that influenced Expressionism, and many of his late compositions are thoroughly surrealistic.
In reality, Turners art cannot be comprehended by such classifications: its essence remains a riddle to art history even today. For his work arises from a unique relation to the nature that it depicts: through his brilliant sketches, he found his way already in the 19th century to a rigorously open kind of painting in which nature sets free the use of colour. And through the workings of the natural elements - especially atmospheric light - Turner confronted nature at the point where nature itself is an image.
This book provides the understandings necessary to open up Turners paintings for the eye, demonstrating that Turner was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itself - through a world of light and colour.
About the Series:
Each book in TASCHENs Basic Art Series features:
Each book in TASCHENs Basic Art Series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions
5. Turner (25)
Feature
Used Book in Good ConditionDescription
The innocence of the eye
As a blind person might see the world if the gift of sight were suddenly returnedthis is how we might describe the effect of William Turners paintings on the observer. John Ruskin, Turners uncompromising 19th-century defender, alluded to this idea when he spoke of an "innocence of the eye" which perceived the worlds colours and forms before it could recognize their significance.
But to develop such a style, William Turner (1775-1851) first had to overcome the legacy of late rococo academic teachings. He was simultaneously a romantic and a realistand yet he transcended both styles. His landscapes, far in advance of their time, have been called forerunners of Impressionism, yet they also possess traits that influenced Expressionism, and many of his late compositions are undeniably surrealistic.
Turners art cannot be bound by such classifications, and remains an oddity to art history even today. His work arises from a unique relation to the nature that it depicts: through his brilliant sketches, he found a rigorously open kind of painting in which nature sets free the use of colour. And through the workings of the natural elementsespecially atmospheric lightTurner confronted nature at the point where nature itself is an image. This book opens up Turners paintings for the eye, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itselfthrough a world of light and colour.
But to develop such a style, William Turner (1775-1851) first had to overcome the legacy of late rococo academic teachings. He was simultaneously a romantic and a realistand yet he transcended both styles. His landscapes, far in advance of their time, have been called forerunners of Impressionism, yet they also possess traits that influenced Expressionism, and many of his late compositions are undeniably surrealistic.
Turners art cannot be bound by such classifications, and remains an oddity to art history even today. His work arises from a unique relation to the nature that it depicts: through his brilliant sketches, he found a rigorously open kind of painting in which nature sets free the use of colour. And through the workings of the natural elementsespecially atmospheric lightTurner confronted nature at the point where nature itself is an image. This book opens up Turners paintings for the eye, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itselfthrough a world of light and colour.
About the Series:
Each book in TASCHENs Basic Art series features:
Each book in TASCHENs Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions
6. Turner "The Fighting Temeraire" (19th) Glossy Poster 26.5"x36"
Feature
Premium Professional 10-Mil Glossy Poster Paper (Normal posters produced on 4-mil paper)Made In USA (Pittsburgh, PA)and are UV Resistant, Ready to be Framed
Not Printed Until Ordered to Ensure You Receive the Freshest Materials
Digitally Printed Using 10-Color Process to Provide Rich Colors, Fine Details and Gloss Finish
Description
Wallhogs J.M.W. Turner's(1775-1851) "The Fighting Temeraire"(19th century) Professional Grade Glossy Poster is the perfect art piece for any room in the house. This fighting ship poster print is digitally printed on our professional 10-mil grade glossy poster media and is available in the following sizes: 18"x24", 26.5"x36", 35.5"x48" or 44.5"x60"(pictured) size, All Wallhogs orders are not produced until ordered to ensure you receive the freshest material possible.7. Turner: Paintings, Watercolors, Prints and Drawings
Feature
Used Book in Good ConditionDescription
Book by Luke Herrmann8. Polyster Canvas ,the High Resolution Art Decorative Canvas Prints Of Oil Painting 'Joseph Mallord William Turner - Death On A Pale Horse,1825-1830', 30x38 Inch / 76x97 Cm Is Best For Home Office Gallery Art And Home Decoration And Gifts
Feature
This is a canvas print, named Joseph Mallord William Turner - Death on a pale horse,1825-1830.The canvas print is Without Stretch and Without Frame.
The size is 30x38 inch / 76x97 cm. Your customized sizes are acceptable, please send me emails.
The canvas print is made of high quality polyster Canvas, and it will be waterproof anti-extrusion Packaging.
Every artwork is printed on artist-grade canvas with vivid colors and exceptional depth That is Best For Home Decoration